death and the maiden

Wednesday thru sunday, October 14—november 1

Death and the Maiden is a taut, electrifying drama about truth, memory, and the price of justice in a society emerging from tyranny. At once intimate and explosive, it’s a riveting psychological thriller and a powerful exploration of trauma, trust, and the challenge of confronting the past.

Performance Information

All are 1 pm indoor performances at Grizzly Peak Winery. Wednesdays—Sundays, October 14-November 1. The performance runs 85 minutes with no intermission. $40 ($45 at door).

October 14 Preview: Discount tickets. $30

October 15 Opening: Join us after the show for wine or sparkling water and a talk back with the actors and director. Benefit for Planned Parenthood SW Oregon. $50. ($55 at door).

Ticket benefits and discounts: Wine Wednesdays (October 21 and 28), Talkbacks Thursdays (October 22 and 29) , Friend Fridays (October 16, 23, 30). Click here for more info. Tickets are nonrefundable and may not be transferred to a different production. You may exchange your tickets for another performance of Death and the Maiden (subject to availability) for a $5 fee per order, $10 per order within 48 hours of showtime, payable at check-in. Email here. You may also donate your tickets back to the theater or transfer them to another person seeing the play on the same date.

Need access seating? The winery is mobility accessible. Arrive by 12:10 and let the reception staff know when you check in. Note that seats may be reserved as a donor benefit.

Are you a group of six or more who booked under the same reservation? We will seat you together.

Food Bank: We collect non-perishables on the patio before every performance. If you’re able, please consider helping support our neighbors in need.

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Meet the Artists

Caroline Shaffer (Director)
Caroline sits on RTC's advisory council. She appeared in August: Osage County, and she has directed Every Brilliant Thing, A Doll's House, Part 2, and ’night, Mother for RTC. A 17-year veteran at the Oregon Shakespeare Festival, Caroline last appeared in Julius Caesar. Her local directing credits include multiple collaborations with the former Actor’s Theatre including a site-specific production of Conor McPherson’s The Weir at The Black Sheep Pub and Restaurant. She has directed several plays at SOU, multiple readings with Ashland New Plays Festival, and The Little Mermaid at Ashland High School. Regional acting credits include Seattle Rep, American Conservatory Theater, Indiana Repertory Theatre, The Milwaukee Rep, Utah Shakespeare Festival, Cal Shakes, and Alabama Shakespeare Festival; Off-Broadway: Brooklyn Academy of Music. Caroline was a founding member of “The Loft” collective in San Francisco. Caroline holds and MFA in acting from the American Conservatory Theater.

Ariel Dorfman (Playwright)

Ariel Dorfman, the Chilean-American author of numerous works of fiction, plays, poems, screenplays and essays in both Spanish and English, holds the Walter Hines Page chair at Duke University. His books have been translated into over forty languages and his plays staged in more than one hundred countries. His play DEATH AND THE MAIDEN won England’s Olivier Award for Best Play 1991 and was produced on Broadway, made into a feature film by Roman Polanski and was revived in London’s West End starring Thandie Newton in late 2011; it continues to be produced all over the world. WIDOWS and READER have won awards from the Kennedy Center and also been staged worldwide. Other plays include PURGATORIO – which ran in Madrid in 2011 starring Viggo Mortensen, THE OTHER SIDE/DELIRIUM, (Market Theatre, Johannesburg, 2012) PICASSO’S CLOSET and SPEAK TRUTH TO POWER. In 1995, his film PRISONERS IN TIME, a BBC Teleplay co-written with Rodrigo Dorfman, won Best Feature Film screenplay WGGB Awards. Other original screenplays include SHAHEED, BURNING CITY and an adaptation of his novel BLAKE’S THERAPY. In 2011 FEEDING ON DREAMS was published, a sequel to his memoir HEADING SOUTH, LOOKING NORTH (pub. 1999), from which the Oscar short-listed documentary, A PROMISE TO THE DEAD is based. He is active in the defense of human rights and his articles are published in the most important broadsheets worldwide. In 2010 he delivered the Mandela Lecture in South Africa. New plays include ALLEGRO! and ADIOS, CERVANTES written in 2016 to commemorate the 400th anniversary of Cervantes’ death. He is currently working on a new opera, NACIKETA for Opera Circus with composer Nigel Osborne. www.adorfman.duke.edu

Death and the Maiden. Rogue Theater Company in Ashland, Oregon. Nell Geisslinger. Daniel Molina. James Newcomb.
Death and the Maiden. Rogue Theater Company in Ashland, Oregon. Nell Geisslinger. Daniel Molina. James Newcomb.
Death and the Maiden. Rogue Theater Company in Ashland, Oregon. Nell Geisslinger. Daniel Molina. James Newcomb.

Nell Geisslinger (Paulina)

RTC debut! Nell was last seen in Ashland at the Oregon Shakespeare Festival as Rosalind in As You Like It and Cinna in Julius Caesar (both in 2025). In 11 seasons at OSF, favorite projects include: Stella in A Streetcar Named Desire, Kate in The Taming of the Shrew, Louison in The Imaginary Invalid; Black Swan Lab 2012, Medea/Macbeth/Cinderella, Henry IV Parts I and II, Bus Stop, Oedipus Complex, Daughters of the Revolution and The Visit. Other Theaters: Utah Shakes (Timon of Athens, Coriolanus, Twelfth Night, Boeing Boeing), South Coast Rep (Clean/Espejos, Red Riding Hood), Berkeley Rep, Milwaukee Rep, Cincinnati Playhouse, Actors Theatre of Louisville, Los Angeles Women’s Shakes. Film/TV: On Call (Amazon); Tales from the Explorer’s Club (Discovery). Thanks to those who have taught, advised and supported me over the years in Ashland’s theater scene. This one goes out to my husband Kevin – deep thinker, patient listener, most righteous dude I know. 

James Newcomb (Roberto)

James is happy to be back at Rogue Theater Company after reading Reverend Tooker in Cat on a Hot Tin Roof and Sheriff Deon Gilbeau in August: Osage County. Other theaters: The Old Globe: Twelfth Night, Coriolanus, Much Ado About Nothing. San Diego Rep: Honky, Zoot Suit, Brooklyn Boy, The Illusion. North Coast Rep: The Homecoming, Christmas Carol (as told by one man who cares - Streamed), How the Other Half Loves. Cygnet Theatre: Roy Cohn in Angels in America (Craig Noel award). Other theater: OSF (14 seasons), Denver Center Theatre (nine seasons), The Public Theatre, B.A.M. Utah Shakespeare Theatre, Shakespeare & Company (founding member), The Goodman, Chicago Shakespeare, Berkeley Rep, South Coast Rep, Portland Center Stage, Missouri Rep, Arizona Theatre Co., and Geva Theatre. Representative roles: Oxford Society Award for Richard III (O.S.F.) Drama Logue Award for Touchstone, (S.S.C.), Coriolanus, Iago, Bottom, Feste, and The Duke in Measure for Measure. TV: “The Hand That Rocks The Cradle,” “Honky” (PBS), and “I Want To Keep My Baby” (CBS). Film: “Lone Wolf”. Directing: Much Ado, Midsummer (USD Graduate Program), Lone Star, True West, and Found a Peanut (National Theatre Conservatory). Fight Director: SD Rep, SD Opera, The Old Globe, LJP , OSF, Chicago Shakes, Idaho Shakes, Shakespeare Santa Cruz, and Shak&Co. Continuing Lecturer: UCSD Graduate Theatre Program.

Daniel Molina (Geraldo)

Daniel returns to RTC after playing Father Flynn in Doubt and Brick in our Cat on a Hot Tin Roof reading last season. He recently played the title role in Macbeth at the Guthrie Theater. In seven seasons at OSF: Older Bobby and Bobby Starrett in Shane, Gobbo in Everything That Never Happened (originally scheduled for 2020); Henry V, Chorus and Ensemble in Henry V; King of Navarre and Ensemble in Love's Labor's Lost; Prince Hal and Ensemble in Henry IV, Part One and Two; Ferdinand in The Tempest; Elliot Ortiz in Water by the Spoonful; Young Collector, Blanche’s Husband, Doctor, Ensemble in A Streetcar Named Desire; Posthumus Leonatus in Cymbeline; Romeo in Romeo and Juliet; Malcolm, Ensemble in Medea/Macbeth/Cinderella; Black Swan Lab. Other theatres: Broadway: Fish in the Dark (Cort Theatre). Regional: Starveling in A Midsummer Night’s Dream; Lord Grey in Richard III; Sampson in Romeo and Juliet; Lorenzo in The Merchant of Venice; Messenger, Malcolm understudy in Macbeth; Friar Francis, George Seacoal, Messenger in Much Ado about Nothing (Utah Shakespeare Festival); Pericles in Pericles, Prince of Tyre (Shakespeare Theatre of New Jersey). Film: The Yellow Birds. Awards: Recipient of the 2011 National Irene Ryan Acting Award. Education: BFA, Savannah College of Art and Design; Shakespeare Theatre of New Jersey Apprenticeship Program.

SPECIAL THANKS TO OUR SEASON SPONSORS

Greg Conaway and Cory Ross, Mary Irene Coombs, Bonnie Johnson, Annette O’Toole and Michael McKean, Donna Ritchie, and Stan Schiffman

OUR SHOW SPONSOR

Mark and Cheryl Goodman-Morris JoAnn Weisel

AND SUPPORT FROM

City of Ashland, Jackson County Cultural Coalition, Ashland High Arts Advocates, Carpenter Foundation, Miller Foundation, Marie Lamfrom Charitable Foundation, and Oregon Community Foundation